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Dard Hunter Makes World's First "One-Man" Books
Through Ralph M. Pearson and Bertha Jaques, the Chicago Society of Etchers learned of Hunter's exciting efforts to revive fifteenth century book crafts, and in March 1915 he was contracted to print the Society's end-of-the-year keepsake, a monograph by William Aspenwall Bradley titled, The Etching of Figures. Hunter was thrilled to put into practice his ideas about the "book harmonious" which had just been published in his first scholarly article, "The Lost Art of Making Books" in The Miscellany 2, no. 1 (March 1915): 3-6.

He immediately ordered a pair of antique laid moulds from England, 16.5 x 23.5 inches, even though the Great War was waging in Europe. While waiting for their arrival, he finished cutting the punches and justified the matrices. Running out of time, Hunter decided not to complete the entire font and did not cut punches for the uppercase Q X and Z. Instead he scoured his type specimen books for a typeface which would match his. Ivanhoe, 18-point, made by the Keystone Type Foundry was selected. With gravers Hunter altered just enough pieces of type needed to complete the book. To print it Hunter bought a R. Hoe Washington press. Operated by hand, this press was never satisfactory to Hunter, and eventually he gave it to Pearson.

Due to problems other than the war, the new moulds did not arrive until October. With barely three months left to complete the project, Hunter requested and received a three-month extension. When printing was finally completed, Hunter sent the books to his ex-Roycroft friends, Sterling Lord and Peter Franck, The Oakwood Binders, for binding.

Finally in March 1916 the books were sent to Jaques who immediately commissioned Hunter to print a second book, due at the end of that year. This was authored by Frank Weitenkampf and titled, The Etching of Contemporary Life. Using the same techniques employed for the Bradley's book, Hunter had no trouble meeting the deadline.

For the 1917 keepsake Hunter was again contracted to print a small folio commemorating the work of J.C. Vondrous. These three publications are still considered the first to be done by the labor of one man with the exception of the binding.

By 1917 Hunter realized that his papermaking, type founding, and printing operations were beyond the experimental stages. If he was to print more books, he would have to enlarge the facilities and hire workers. Other events prevented this from happening, however. America entered the war in April 1917, and his first son, Dard Jr., was born a month later. Mill House was sold in 1918. Hunter enlisted in the army, but just before he was to leave, peace was declared. The Spanish flu epidemic prevented the Hunters from returning to Chillicothe, and in February 1919 their second son, Cornell Choate, was born in their Newburgh, NY apartment.

page 5 > Dard Hunter's Mountain House Press


1. Dard Hunter & the Art of the Handmade Book

2. Dard Hunter: Roycroft Designer

3. Dard Hunter Discovers Hand Papermaking, Typography & Printing

4. Dard Hunter Makes World's First "One-Man" Books

5. Dard Hunter's Mountain House Press

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